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Star Wars (Non-Fiction)
Hearing the Force: Manifestations and Transformations of Music from Far, Far Away
01/15/2016
Tom Zlabinger
McFarland
Commentary (Essay)
Non-Fiction
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Publication History
A Galaxy Here and Now
More A Galaxy Here and Now
Part of Our Cultural History: Fan-Creator Relationships, Restoration, and Appropriation
An Elegant Weapon for a More Civilized Age: Star Wars, Public Radio, and Middlebrow Cold War Culture
Periodizing a Civil War: Reaffirming an American Empire of Dreams
Deconstructing the Desert: The Bedouin Ideal and the True Children of Tatooine
Jedi Knights and Epic Performance: Is the Force a Form of Western-African Epic Mimicry
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Neuroticism versus Emotional Stability
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Introduction By Matthew Woodring Stover
Opening Statement for the Prosecution
Opening Statement for the Defense
Charge #1: The Politics of Star Wars are Anti-Democratinc and Elitist, For the Defense
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Prosecution
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Defense
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Proscution
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Resnick)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Traviss)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Rusch)
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Prosecution
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Defense
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Prosecution
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Defense
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Wharton)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Metzger)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Bethke)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Roberts)
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Closing Statement for the Prosecution
Closing Statement for the Defense
The Verdict
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Jediism as Religion? The Force as Old/New Religious Philosophy
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The Star Wars Trilogies and Global Capitalism
May the Force (Not) Be With You: "Race Critical" Readings and the Star Wars Universe
Seduced by the Dark Side of the Force: Gender, Sexuality, and Moral Agency in George Lucas's Star Wars Universe
Kill Binks: Why the World Hated its First Digital Actor
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The Emperor's New Clones: or, Digitization and Walter Benjamin in the Star Wars Universe
Feminism and the Force: Empowerment and Disillusionment in a Galaxy Far, Far Away
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Playing in Uncle George's Sandbox: A Foreword
Mapping the British Invasion: Marvel UK's Star Wars Comics
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The Galaxy's Military-Industrial Complex
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Leia and Rey Through the Male Gaze
An Object of Rebellion: Princess Leia's Sexualized Feminism
Galactic Orientalism
Exoticizing Otherness: The Latent Racism of Star Wars
Star Wars and the Conditions of Ethnocentrism
Oppressive Languages: Galactic Basic and Global English
It's Our Lot in Life: The Marginalization of Droids
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Clones and Hybridity
Artificial Intelligence: A New Hope?
Star Wars and Gothic Marxism
Acts of Rebellion: Justifiable Murder
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The Strange Case of Anakin Skywalker and Darth Vader
"The circle is now complete": Transmedia Storytelling and Nostalgia in Star Wars Television Adverts
The Princess Strikes Back: Forces of Destiny and the Capitalization of the Disney Princess
Canonical Legends: How the Expanded Universe (Selectively) Lives On in TV
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Comedy from the Edge: Carrie Fisher's Autobiographical Writing
Postcards from the Valley of the Broads: Carrie Fisher, Jacqueline Susann, and Feminist Camp Authorship
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Threshold Guardian to Space Mom: Here but for the Sake of Carrie, Go I
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The Political Economy of Star Wars
The Connection of the Star Wars Film Series to the Ancient Roman Civilization of the Meditteranean
A General Overview of Star Wars Characters as Archetypes
The Evolution of Women's Representations in Star Wars: Leia, Padme, and Rey
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The Use of Visual Effects in Star Wars, Past and Present
The Creators of Star Wars: Writers, Directors, and Legends
Media Visibility in the Context of Storytelling: Research on Star Wars
The Music of Star Wars
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The Word of God and the W(h)ill of the Force: Canon and Authority within the Star Wars Universe and Franchise
Use (the) Force: Jedi, Monks, and Unexpected Violence
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Rediscovering the Sith and the Jedi: A Spiritual Analogy in Renaissance Humanism and Desert Asceticism
From Padawan to Jedi: The Theological Premise for the Necessity of the Master-Aprrentice Relationship in the Path of the Spiritual Ascension
And Also With You: An Examination of the Demystification of the Jedi and the Clergy
Subverting the Ancient Religion: The Gray Ecclesiology of Ahsoka Tano and Old Man Luke
Undoing the Memory Wipe: Metz, Droids, and the Victims of History
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The Evolution of Twileks in the Star Wars Universe
Saving What We Love: The Hope and Resistance of Makers and Craftspeople in Disneys Star Wars
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"Are You Now, Or Have You Ever Been?": The Alientation of the Administered Society, Running to Freedom, and the Dystopianism of George Lucas's THX 1138
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