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Star Wars (Non-Fiction)
Why Military Forces Adapt, Even in a Galaxy Far, Far Away
05/01/2018
Chuck Bies
Potomac Books
Commentary (Essay)
Non-Fiction
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Publication History
Strategy Stikes Back: How Star Wars Explains Modern Military Conflict
Strategy Stikes Back: How Star Wars Explains Modern Military Conflict (paperback)
More Chuck Bies
Han, Greedo, and a Strategy of Prevention
More Strategy Stikes Back: How Star Wars Explains Modern Military Conflict
Epilogue: The Lessons of Star Wars
A Strategist, Yoda Was Not
Suffer, the Weak Must: A History of the Galactic Civil War
Why the Empire Failed
Why the Galactic Republic Fell: An Imperial Network Perspective
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Conscientiousness versus Recklessness
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Feel the Force: Jung's Theory of Individuation and the Jedi Path
A Distressing Damsel: Leia's Heroic Journey
Faith and the Force: Star Wars and the Psychology of Religion
Extraversion versus Introversion
Explaining the Empire: Why Good People Do Bad Things
Lando's Choice: Anatomy of a Moral Decision
Anxiety Disorder's Need for Imperial Control: Was Darth Vader Evil or Scared?
The Skywalker Way: Values in the Light and Dark
Agreeableness versus Disagreeableness
Samurai, Star Wars, and Underdogs
Yoda: Little Big Mentor
A Symphony of Psychology: The Music of Star Wars
Neuroticism versus Emotional Stability
Final Word: Our Last Hope
Introduction: Lights in the Dark Side
Shooting, Striking, Returning: Returning the Universes in Our Heads
A Long Time Ago, On a Couch on a Sidewalk
The Mark Hamill Award
Darth Solo
Reading Star Wars
Mind on the Force
If My Mother Had Lived: A Poem by Luke Skywalker
There is Good In You
Star Wars Memories
Rebel Scum
Kinda Sorta in the Fandom
On Science Fiction
My Love for Star Wars
Tom's Collection of Awesome
In Defence of Jar Jar Binks
Craftus Interruptus: or Hot Glue is Not the Force
Opening Night
Star Wars Mom
I Never Wanted to Be Leia: What Han Solo Taught Two Women About Gender and Sexuality
Introduction By David Brin
Introduction By Matthew Woodring Stover
Opening Statement for the Prosecution
Opening Statement for the Defense
Charge #1: The Politics of Star Wars are Anti-Democratinc and Elitist, For the Defense
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Prosecution
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Defense
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Resnick)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Traviss)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Rusch)
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Prosecution
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Defense
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Prosecution
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Defense
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Wharton)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Metzger)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Bethke)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Roberts)
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Closing Statement for the Prosecution
Closing Statement for the Defense
Hearing the Force: Manifestations and Transformations of Music from Far, Far Away
The Space Community and the Princess: Reworking the American Space Program's Public Image from "Miss Nasa" to Princess Leia
Feminist Icons Wanted; Damsels in Distress Need Not Apply
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An Elegant Weapon for a More Civilized Age: Star Wars, Public Radio, and Middlebrow Cold War Culture
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Fan Phenomena Introduction
Star Wars as a Character-Oriented Franchise
Fans, Fics, & Films"Thank the Maker(s)!"
Immersive and Interactive Adaptoins and Extensions of Star Wars
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Star Wars Generations: A Saga for the Ages, for All Ages
The Marketing of the Force: Fans, Media, and the Economics of Star Wars
The Influence of the Force
Moving Away from Myth: Star Wars as Cultural Analysis
The Fall of the Rebellion: or, Defiant and Obedient Heroes in a Galaxy Far, Far Away - Individualism and Intertextuality in the Star Wars Trilogies
Apocalyptic Determinism in Star Wars
The Star Wars Trilogies and Global Capitalism
May the Force (Not) Be With You: "Race Critical" Readings and the Star Wars Universe
Seduced by the Dark Side of the Force: Gender, Sexuality, and Moral Agency in George Lucas's Star Wars Universe
Kill Binks: Why the World Hated its First Digital Actor
The Emperor's New Clones: or, Digitization and Walter Benjamin in the Star Wars Universe
Feminism and the Force: Empowerment and Disillusionment in a Galaxy Far, Far Away
I Have a Good Feeling About This: An Introduction
The Power Showed Us the Light: An Introduction
Chewie, We're Home: A Foreword
From THX to Star Wars: Rethinking George Lucas's Place in American Science-Fiction Cinema
Luke, Dorothy, and the Hero's Journey: We're Not on Tatooine Anymore, (Ar)To-(Dee)To
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Star Tours, or: How to Make a Theme Park Attraction from Existing Resources
What's So Dark About the Dark Side? Good, Evil, and the Spectrum of Compassion in the Star Wars Saga
Surrounding Us and Binding Us Together: Star Wars Across the Generations
Adventures Beyond the Greatest Space-Fantasy Film of All: An Introduction
Celebrate the Love: An Introduction
Playing in Uncle George's Sandbox: A Foreword
Mapping the British Invasion: Marvel UK's Star Wars Comics
How Marvel Brought Complex Literary Themes to the Star Wars Universe
Star Wars: The Early Media Tie-In Universe Chronology
Traveling through Hyperspace: Charting the Star Wars Webcomics
Comic Bookends of the Expanded Universe: From Dawn of the Jedi to Legacy
Introduction: The Force is With Youbut You're not a Jedi Yet
"You Cannot Escape Your Destiny" (Or Can You): Freedom and Predestination in Star Wars
Stoicism in the Stars: Yoda, the Emperor, and the Force
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Moral Ambiguity in a Black-and-White Universe
The Aspiring Jedi's Handbook of Virtue
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A Technological Galaxy: Heidegger and the Philosopher of Technology in Star Wars
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Afterword: "You'll Find I'm Full of Surprises" - The Future of Star Wars
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Gender, Social Norms, and Disney's Star Wars
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Star Wars and the Conditions of Ethnocentrism
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Artificial Intelligence: A New Hope?
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Acts of Rebellion: Justifiable Murder
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The Strange Case of Anakin Skywalker and Darth Vader
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"My Body Hasn't Aged As Well As I Have. Blow Us.": Carrie Fisher and the Unruly Aging Actress
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The Connection of the Star Wars Film Series to the Ancient Roman Civilization of the Meditteranean
A General Overview of Star Wars Characters as Archetypes
The Evolution of Women's Representations in Star Wars: Leia, Padme, and Rey
The Acousmatic Sounds of Star Wars
The Use of Visual Effects in Star Wars, Past and Present
The Creators of Star Wars: Writers, Directors, and Legends
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The Music of Star Wars
The History and Politics of Star Wars: Death Stars and Democracy
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Bringing Balance to the Force: George Lucas's Politico-Critical Refiguring of Salvation
The Modern Manicheans: Binaries of Light and Dark in Contemporary Culture
Thomas Aquinas's Account of Hope as a Hermeneutical Lens for Star Wars
An Arche not Anarchic Enouch: A Spirited Critique of the Force
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The Evolution of Twileks in the Star Wars Universe
Saving What We Love: The Hope and Resistance of Makers and Craftspeople in Disneys Star Wars
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Introduction (Lucas: His Hollywood Legacy)
Reflections on George Lucas and Modesto
Marcia Lucas: Her Life and Hollywood Legacy
"Are You Now, Or Have You Ever Been?": The Alientation of the Administered Society, Running to Freedom, and the Dystopianism of George Lucas's THX 1138
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Writing About Star Wars: A Historiography of the Star Wars Original Trilogy
"Archaeology is the search for fact...not truth": How Indiana Jones Redefined Our Relationship with the Past
From Sass to Seduction: The Ambiguously Tough Ladies of Star Wars and Indiana Jones
Researching the Lucasfilm Yearbooks: "FAMILYONE WIFE, ONE DISCO-BOOGIE BABY, AND 425 FOSTER KIDS"
Notes on the Lucas-Spielberg Syndrome
The Dislocations of Skywalker Ranch
Lucas Meets Luxo: Lucasfilm's Computer Graphics Lab (CGL) and the Development of Pixar Animation Studios
The Audience Is Listening: The Film Sound Legacy of George Lucas
LucasArts and the Hollywoodization of Video Games
Franchise and Edutainment in the History of Lucasfilm Television
George and the Dinosaurs: George Lucas's Contributions to The Land Before Time and Jurassic Park
From Rebels to Emperors to Jedi Spirits: Walt Disney, George Lucas, and Their Fans
George Lucas in Museums
My Life With the Jedi: The Spirituality of Star Wars
21-87: Not Just a Number in Star Wars
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What Is It Like to Be a Jedi? A Life in the Force
"Never Tell Me the Odds": An Inquiry Concerning Jedi Understanding
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The Right Fleet: Starships for Strategic Purpose
Star Wars, Cyclical History, and Implications for Strategy
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Jediism as Religion? The Force as Old/New Religious Philosophy
Anakin and Achilles: Scars of Nihilism
Mindless Philosophers and Overweight Globs of Grease: Are Droids Capable of Thought?
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